November 12, 2005 through February 19, 2006
Betz Gallery, Doylestown
This special exhibition was planned in the wake of Hurricane Katrina's tragic
demolition of much of the city, and is accompanied by a fundraising
effort for "Museums Helping Museums,"
a national relief effort helping Gulf Coast area museums and cultural treasures
rebuild and recover from the recent hurricane.
In 1984 Bucks County photographer Michael A. Smith was commissioned by the
Historic New Orleans Collection — a private foundation and museum based
in the city's French Quarter — to photograph neighborhoods and buildings
throughout New Orleans. The exhibition included more than 40 photographs
from his New Orleans project. Viewers would recognize some of the city's iconic
buildings and landmarks, ranging from Royal Street in the French Quarter to
the shores of Lake Ponchartrain; from Preservation Hall to the Superdome.

Michael A. Smith, At Lake Pontchartrain, 1985, Gelatin silver chloride contact
print, 8" x 10", Collection of the artist.
"New Orleans is perhaps the most distinctive city in the United States,"
Smith says. "It has a charm that few other American cities can match.
I hope I did it justice."
Smith uses large-format cameras and makes contact prints, a technique in which
the negative is placed in direct contact with the photographic paper rather
than enlarged. This is a somewhat laborious process, but one that results in
extraordinary richness and depth in the prints. "The bottom line is, it's
more beautiful," he says. "It gives the prints a presence you just don't get
in enlargements."
Through Smith's lens, this exhibition offered a window onto the city's
incomparable character before the devastation of Hurricane Katrina:
from its famous above-ground cemeteries to its notorious watering holes,
from shotgun houses to grand avenues.

Michael A. Smith, House in St. Charles Avenue, Uptown, 1984,
Screenprint on paper, 23" x 14 1/2", Collection of the artist.
A donation box was provided for visitors to make contributions to the
"Museums Helping Museums" hurricane relief effort throughout the run of the
exhibition. Also in conjunction with this exhibition, and in acknowledgement
of the city's reputation as the home of jazz music, the Museum donated the
proceeds from its January 28, 2006, jazz concert, featuring vocalist Ella Ghant
of Philadelphia's Legends of Jazz Orchestra, to the "Museums Helping Museums" effort.
A L S O S E E
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